|In the Mouth of Madness|
Theatrical release poster
|Directed by||John Carpenter|
|Produced by||Sandy King|
|Written by||Michael De Luca|
|Music by||John Carpenter|
|Cinematography||Gary B. Kibbe|
|Edited by||Edward A. Warschilka|
|Distributed by||New Line Cinema|
|Box office||$8.9 million (domestic)|
In the Mouth of Madness is a 1994 American horror film directed and scored by John Carpenter and written by Michael De Luca. It stars Sam Neill, Julie Carmen, Jürgen Prochnow, David Warner and Charlton Heston. Informally, the film is the third installment in Carpenter's Apocalypse Trilogy, preceded by The Thing and Prince of Darkness.
In the midst of an unspecified disaster, Dr. Wrenn visits John Trent, a patient in a psychiatric hospital, and Trent recounts his story:
Trent, a freelance insurance investigator, has lunch with a colleague, the owner of an insurance company, who asks Trent to work on his largest insured: investigating a claim by New York-based Arcane Publishing. During their conversation, Trent is attacked by a man wielding an axe who, after asking him if he reads Sutter Cane, is shot dead by a police officer before he can harm Trent. The man was Cane's agent, who went insane and killed his family after reading one of Cane's books.
Trent meets with Arcane Publishing director, Jackson Harglow, who tasks him with investigating the disappearance of popular horror novelist, Sutter Cane, and recovering the manuscript for Cane's final novel. He assigns Cane's editor, Linda Styles, to accompany him. Linda explains that Cane's stories have been known to cause disorientation, memory loss and paranoia in "less stable readers". Trent is skeptical, convinced the disappearance is a publicity stunt. Trent notices red lines on the covers of Cane's books, which, when aligned properly, form the outline of New Hampshire and mark a location alluded to be Hobb's End, the fictional setting for many of Cane's works.
They set out to find the town. Linda experiences bizarre phenomena during the late night drive, and they inexplicably arrive at Hobb's End in daylight. Trent and Linda search the small town, encountering people and landmarks described as fictional in Cane's novels. Trent believes it all to be staged, but Linda disagrees. She admits to Trent that Arcane Publishing's claim was a stunt to promote Cane's book, but the time distortion and exact replica of Hobb's End were not part of the plan.
Linda enters a church to confront Cane, who exposes her to his final novel, In the Mouth of Madness, which drives her insane; she begins embracing and kissing Cane passionately. A man approaches Trent in a bar and warns him to leave, then commits suicide. Outside the bar, a mob of monstrous-looking townspeople descend upon him. Trent drives away from Hobb's End, but is repeatedly teleported back to the center of town. After crashing his car, Trent awakens inside the church with Linda, where Cane explains that the public's belief in his stories freed an ancient race of monstrous beings which will reclaim the Earth. Cane reveals that Trent is merely one of his characters, who must follow Cane's plot and return the manuscript of In The Mouth of Madness to Arcane Publishing, furthering the end of humanity.
After giving Trent the manuscript, Cane tears a giant photograph of his face open, creating a portal to the dimension of Cane's monstrous masters. Trent sees a long tunnel that Cane said would take him back to his world, and urges Linda to come with him. She tells him she can't, because she has already read the entire book. Trent races down the hall, with Cane's monsters close on his heels. He trips and falls, then suddenly finds himself lying on a country road, apparently back in reality. During his return to New York, Trent destroys the manuscript. Back at Arcane Publishing, Trent relates his experience to Harglow. Harglow claims ignorance of Linda; Trent was sent alone to find Cane, and the manuscript was delivered months earlier. In the Mouth of Madness has been on sale for weeks, with a film adaptation in post production. Trent encounters a reader of the newly released novel, who is bleeding from his altered eyes, and murders him with an axe, being arrested for murder and sent to the asylum.
After Trent finishes telling his story, Dr. Wrenn judges it a meaningless hallucination. Trent wakes the following day to find the asylum abandoned. He departs as a radio announces that the world has been overrun with monstrous creatures, including mutating humans, and that outbreaks of suicide and mass murder are commonplace. Trent goes to see the In the Mouth of Madness film and discovers that he is the main character. As he watches his previous actions play out on screen, including a scene where he insisted to Linda "This is reality!" Trent begins laughing hysterically before breaking down crying; finally realizing he was a character in the book all along.
- Sam Neill as John Trent
- Julie Carmen as Linda Styles
- Jürgen Prochnow as Sutter Cane
- David Warner as Dr. Wrenn
- John Glover as Saperstein
- Bernie Casey as Robinson
- Kali Rocha as Agency Assistant
- Peter Jason as Mr. Paul
- Charlton Heston as Jackson Harglow
- Frances Bay as Mrs. Pickman
- Wilhelm von Homburg as Simon
- Hayden Christensen as Paper Boy
- Sean Roberge as Desk Clerk
- Kieran Sells as Kid
- Kevin Zegers as Kid
- Katie Zegers as Kid
Michael De Luca wrote the script in the late 1980s and one of the first directors he offered it to was John Carpenter, who initially passed on the project. New Line Cinema later announced production in 1989 with director Tony Randel attached to direct. Later Mary Lambert was also attached to direct. A few years later, Carpenter signed on as director in December 1992 and filming took place from August to October 1993.
The film pays tribute to the work of seminal horror writer H. P. Lovecraft, with many references to his stories and themes. Its title is a play on Lovecraft's novella, At the Mountains of Madness, and insanity plays as great a role in the film as it does in Lovecraft's fiction. The opening scene depicts Trent's confinement to an asylum, with the bulk of the story told in flashback, a common technique of Lovecraft. Reference is made to Lovecraftian settings and details (such as a character that shares the name of Lovecraft's Pickman family). Sutter Cane's novels have similar titles to H.P. Lovecraft stories: The Whisperer of the Dark (The Whisperer in Darkness), The Thing in the Basement (The Thing on the Doorstep), Haunter out of Time (The Haunter of the Dark/The Shadow Out of Time), and The Hobbs End Horror (The Dunwich Horror), the latter also referencing Hobbs End underground station from Nigel Kneale's Quatermass and the Pit.
In the Mouth of Madness premiered at Italy's Noir in Festival in December 1994 and was then released on February 3rd, 1995 in the United States. For its worldwide release, the film opened at the #4 spot and grossed $3,441,807 on 1,510 theaters in its first weekend. It fell to #7 in its second week before leaving the top 10 in week three. The film ended up grossing $8,924,549 on a budget ranging from $8-$14 million, making it a box office failure.
Following the early VHS releases, a Blu-ray Disc version of the film by New Line Cinema was released in 2013. In 2016, the film was re-released on DVD by Warner Archive Collection. Shout! Factory re-released the film on Blu-ray in a collector's edition form in 2018.
On review aggregator Rotten Tomatoes, In the Mouth of Madness holds an approval rating of 59% based on 46 reviews, with a weighted average rating of 5.79/10. The website's critical consensus reads, "If it fails to make the most of its intriguing premise, In the Mouth of Madness remains a decent enough diversion for horror fans and John Carpenter completists." On Metacritic the film has a weighted average score of 53 out of 100, based on 17 critics, indicating "mixed or average reviews".
Critics generally agreed that the film had good technical aspects, mostly in the form of its special effects, acting, and directing, but suffered from being too complicated, confusing, pretentious, and underwhelming. Roger Ebert gave the film a mixed two-out-of-four stars, complimenting Neill's acting and Carpenter's work as a director, but ultimately said the film fell flat due to its screenplay, saying "...one wonders how In the Mouth of Madness might have turned out if the script had contained even just a little more wit and ambition". Gene Siskel gave the film the same rating, as did James Berardinelli, who said the film "comes close to doing something interesting but gets cold feet" and is "confusing, weird, and not very involving", comparing the film to buying an exotic sports car owned only to be driven slowly. Entertainment Weekly gave the film a C+ rating.
In negative reviews, Mick LaSalle of the San Francisco Chronicle said the film was "cheesy horror celebrating the power of cheesy horror, while pretending to be appalled" and gave the film a one-out-of-four star rating. Fred Topel of About.com said the film was "too confusing" and "hard to follow", giving the film a one-out-of-five rating. In fully positive reviews from the time period, the Los Angeles Times gave it an A, calling it "a thinking person's horror picture that dares to be as cerebral as it is visceral", later listing the film as one of the best of 1995. Seattle Times also gave the film a very positive review, saying "in a horror scene oversatured with flashy surface-floating images that only serve to briefly shock, Carpenter has the audacity to create a genuinely horrifying concept that dives beneath the surface and brings back a story that will stick with its audiences like a bloody adhesive." In a later review, Chris Stuckmann also awarded the film with an A, noting its ambition, creativity, and originality alongside Carpenter's direction. Reel Film Reviews gave the film a three-out-of-four star rating.
As with most of Carpenter's work, In The Mouth Of Madness has received a cult following and has gained more positive reviews in the years following its initial release. Stuckmann wrote that he believes the film would've done significantly better if released today, saying "it fits right in with most indie horror films of the last five years" and also noted this film's influence on modern horror. Director Ari Aster said In The Mouth Of Madness was one of the most influential films to his style and one of his favorite films.
|22nd Saturn Awards||Best Horror Film||In the Mouth of Madness||Nominated|
|Best Make-Up||(K.N.B. EFX Group Inc.)||Nominated|
|Fantasporto||Critics' Award||John Carpenter||Won|
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